When I was young boy, my father owned a Firestone tire dealership. Every year at Christmastime, the Firestone Corporation distributed albums to their dealers to hand out as purchase premiums.
Businesses used to do that; give away things such as glassware at gas stations, toasters at banks, and record albums at tire stores. These tire store albums were usually recordings that were a few years old, licensed to Firestone for re-issue under the company name. In other words, regardless of what the album cover says, there actually was no “Firestone Orchestra”.
I think that’s sad. All companies should have orchestras.
This is not only my favorite Firestone Christmas album, but my favorite Christmas album period. Originally released in 1967 as A Christmas Treasure, it stars Julie Andrews at the height of her early fame and features orchestrations by Woody Allen’s father-in-law. That would be André Previn. Previn backs-up Andrews’ powerful soprano with the kind of over the top arrangements one can only get away with in Christmas songs (and perhaps Hanna-Barbera cartoons of the same period). Here’s the entire album:
The first track, “Joy to the World”, is for me the fanfare of the season. And check out Previn’s insane orchestrations on “Deck the Halls” (08:50) and “Jingle Bells” (31:51), the only secular songs on the album. Dame Julie shines on these no-holds-barred arrangements and then floats over the actual Christmas carols with ethereal grace. Listen to her voice on the less familiar numbers “Irish Carol” (02:52) and “Wexford Carol” (28:42). Beautiful.
Which brings me to my favorite Christmas recording of all time, “Away in a Manger” (13:42). This version has a different melody than the one you may be familiar with. Maybe that’s why I love it. I was never fond of that familiar [editor’s note: only familiar in America] melody. This version is a gorgeous lullaby that grabs me by the heartstrings every time.
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